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X-WR-CALDESC:Events for Conroe Table
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DTSTART:20220101T000000
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DTSTART;TZID=UTC:20230603T190000
DTEND;TZID=UTC:20230603T220000
DTSTAMP:20260501T125526
CREATED:20230314T021739Z
LAST-MODIFIED:20230512T033056Z
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SUMMARY:Tejano Two Step at The Table at Madeley!
DESCRIPTION:Join us for a night of dancing for our “Tejano Two Step” at The Table at Madeley. We will play all the favorites while you wear holes in your shoes dancing the night away under the big oak trees.
URL:https://conroetable.com/event/cinco-de-mayo-tejano-two-step-at-the-table-at-madeley-get-tickets/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:Americana,country,Songwriter Showcase
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ORGANIZER;CN="The Table at Madeley":MAILTO:events@conroetable.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230604T140000
DTEND;TZID=UTC:20230604T153000
DTSTAMP:20260501T125526
CREATED:20230510T025553Z
LAST-MODIFIED:20230526T035109Z
UID:1873-1685887200-1685892600@conroetable.com
SUMMARY:Sadie Bass Live at The Table at Madeley! [ GET TICKETS ]
DESCRIPTION:Country music singer/songwriter Sadie Bass grew up in small town Bath\, Michigan. Sadie is an outdoorswoman at heart and spent much of her childhood playing sports\, hunting\, and fishing. For most of her life\, Sadie sang behind closed doors\, but at age 19 she felt God call her to start seriously pursuing music. In the same month she left college and her softball scholarship behind her\, and went all in on her music career. \nSadie has never been motivated by the potential of fame or fortune. Her real passion is connecting with people through her music. “Whenever I am playing a show and see someone in the crowd singing along to one of my originals\, or when someone messages me saying they related to my lyrics during a tough time\, it’s the best feeling in the world” Sadie commented in a 2022 interview. It is that feeling that ultimately pushed her to make the move from her home town to Nashville in December 2020. \nSadie has now released six studio singles and opened for dozens of national acts including Brantley Gilbert\, HARDY\, Chase Rice\, Tyler Farr and more. She was recently a contestant on season 22 of NBC’s ‘The Voice’\, starred in two seasons of Outdoor Channel’s “Hunting for Love or Likes”\, been featured on Sportsman’s channel’s “MTN Top Outdoors” and Discovery’s ‘Bassquatch Hunter’. She aspires to pave the way for other bad-ass female artists in music\, and hopes this is only the beginning for her successful career.
URL:https://conroetable.com/event/sadie-bass-live-at-the-table-at-madeley-get-tickets/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:Americana,country
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ORGANIZER;CN="The Table at Madeley":MAILTO:events@conroetable.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230610T193000
DTEND;TZID=UTC:20230610T210000
DTSTAMP:20260501T125526
CREATED:20230512T033548Z
LAST-MODIFIED:20230512T033548Z
UID:1880-1686425400-1686430800@conroetable.com
SUMMARY:Kate Watson  Live at The Table at Madeley! [ GET TICKETS ]
DESCRIPTION:The Table at Madeley and Woodforest Bank presents Kate Watson on the Downtown Conroe Live Stage. \nLineup: \n7:30pm – 9:00pm = Kate Watson – ACOUSTIC. \n  \nKate Watson is the self-proclaimed “gun-totin’\, buckle-wearin’\, mama-lovin’\, God-fearin'” Texan who is grabbing the country music scene by its longhorns. \nWith over one million likes on Tik-Tok and a combined ninety thousand followers across all social media platforms\, Watson accredits her fanbase and influence to the one driving force in her life: devotion. \nAs the reverent daughter of Christian recording artist and worship leader\, Jesse Watson\, Kate learned early on the combination of prayer and hard work was the winning formula for growing a diverse fanbase that would land her standing ovations all across the country including one from Lionel Richie at her 2019 American Idol Audition. \nKate still works closely with her musical family at the Lone Star Cowboy Church in Montgomery\, Texas\, the largest cowboy church in the world and the spiritual home of several country recording artists\, most notably Cody Johnson and Jesse Raub\, Jr. \nTheir church is where country recording star\, Parker McCollum\, first heard Kate sing. “She’s the real deal\,” said McCollum. “She has the total package: the voice\, the look\, and the way she connects with people. I am looking forward to great things from her.”
URL:https://conroetable.com/event/kate-watson-live-at-the-table-at-madeley-get-tickets-3/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:country
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ORGANIZER;CN="The Table at Madeley":MAILTO:events@conroetable.com
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230616T193000
DTEND;TZID=UTC:20230616T210000
DTSTAMP:20260501T125526
CREATED:20230405T232610Z
LAST-MODIFIED:20230405T232610Z
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SUMMARY:Drew Fish  Live at The Table at Madeley! [ GET TICKETS ]
DESCRIPTION:7:30pm – 9:00pm = Drew Fish \nWhen Drew Fish was a sophomore in high school\, he was invited to a performance by acclaimed Texas singer / songwriter Cory Morrow. Nearly 1\,000 fans had gathered to Morrow’s Tyler\, Texas show. \nBackstage\, before the show began\, Fish played a couple songs for Morrow\, who later surprised Fish by calling him on stage to sing for the crowd. When Fish stepped off the stage everything had changed for him. \n“I thought ‘that was so cool. I have to get a band together.’ That was the moment I knew I wanted to start performing\,” the native Texan explains. “I don’t know that I was thinking career at that point\, but I definitely knew the experience had moved me in that direction.” \nHe did start a band and he and his buddies played through high school and college\, getting gigs at fraternity and sorority parties while in college and traveling throughout Texas and neighboring to play music for people who quickly became fans after seeing their high energy\, fun-loving show. \nAfter college\, Fish’s parents\, both of who came from musical backgrounds\, told him he had to get a job. He and his band talked it over and decided they wanted music to be their job\, so they went in and cut their first album\, which Fish describes as having “a rough and real” sound. People loved it\, more dates came along\, and a second album\, which was smoother and more poetic\, emerged. Along with it came more interest in the band for bookings\, radio and television. \nHaving just recorded his third record\, produced by five-time Grammy award winner Adam Odor (known for his work with the Dixie Chicks\, Pat Green and the Randy Rogers Band)\, Fish is well on his way into that career in music. He was a writer on all of the songs on Wishful Drinkin’\, which will be released early next year. The music has morphed into a more traditional honky tonk sound. \nThe singer/songwriter co-wrote many of the tunes with hit songwriters Tommy Conners (“The Last Ten Years (Superman)” by Kenny Rogers; “Last Of A Dying Breed” by Neil McCoy)\, Roger Brown (“She Gets That Way” by Kenny Chesney; “We Must Be Loving Right” by George Strait and Barbra Streisand) and Nashville Songwriters’ Hall of Fame member Byron Hill (“Fool Hearted Memory” by George Strait; “Nothin’ On But The Radio” by Gary Allan). \n“I wanted to expand the music I had been doing\, and I think this new record shows growth. I wanted songs that sounded like me\, but not for all of them to sound alike\,” he explained. “I think we came up with some incredible songs\, some great honky tonk tunes\, and I’m very excited for everyone to hear the album.” \nFish says one of the things that made a difference on this album is that he has continued to grow throughout his career as a singer\, entertainer and songwriter. Additionally he put many hours into pre-production before he\, Odor and the musicians went into the studio to actually record. \n“The studio time was a blast\,” Fish says. “We were throwing ideas out and trying different things. The musicians were willing to go out on a limb to try different stuff\, and the results are just what I was looking for.” \n“Lone Star Saturday Night” is a great example of what Fish was looking for when he went in to record\, a song he considers to be true country. It’s a honky tonk tune with a driving rhythm that gets everyone in the mood to party. \n“Better Place” was the first single released to radio and Fish’s second to go to number one on the Texas Regional Radio Report. He and Byron wrote it in 30 minutes and immediately thought it should come out first because it is such a positive message song\, something they thought people would appreciate hearing in this time of turmoil. \nFish is especially proud of “Every Damn Time\,” the first waltz he’s ever recorded. It’s also a duet with Pam Tillis\, which he says he still can’t believe happened. “We were talking about it being a duet and Roger said he could call Pam Tillis. I didn’t want to get my hopes up and believe it might happen. She got back to us right away and said she would love to do it. I did my part in Texas and then I came to Nashville and went in the studio with her and she did her part there. It turned out great. It was incredible getting to work with her.” \nThe songs go from the heartbreak of “Another You” to “High Rolling Home\,” a song inspired by Willie Nelson and “On The Road Again.” Listen carefully and you will hear references to Honeysuckle Rose\, the Outlaws and guitar riffs that sound much like those you might hear from Nelson himself. \nAnother song close to home is the final cut\, “Waiting For The Sun\,” a song written at one of Fish’s Writers Retreats. It is about surviving Hurricane Harvey that hit Houston in August of 2017 … “All you can ask for is to see a new sunrise\, breathe another breath\, sleep another night … waiting for the sun after the rain ….” It’s a positive song about a disaster that simply says\, if you are healthy and alive then you can turn a bad situation around.” \nFish’s influences range from Elvis to Frank Sinatra and Patsy Cline\, along with George Strait\, Dean Dillon\, Keith Whitley and Randy Travis\, and they all show through in this new album. Other influences include Robert Earl Keen and Pat Green. “Those guys broke down the wall at radio\, and it gave guys like me the realization that you didn’t have to have a record deal to get on radio\, and you didn’t have to move to Nashville to make it happen. Now there’s Aaron Watson and Cody Johnson. It just shows that if you have drive and build the right team\, there’s nothing that can stop you.” \nThe singer admires the writers of 90’s country music and aspires to be as good and even better than they were. “I think there is always room to grow\, take what you have and grow from it and make it you. Every time when I sit down to write\, my goal is to write a better song than those guys because the songs they wrote are the pinnacle of country music.” \nFish will never forget the encouragement he received from folks like Cory Morrow and Byron Hill\, so he always tries to support other up and coming artists. “When people tell me they like us\, or they like a certain song\, I always tell them thanks\, and then introduce them to another artist that they may like. I think it’s very important to support other artists whenever you can.”
URL:https://conroetable.com/event/drew-fish-live-at-the-table-at-madeley-get-tickets/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:country
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ORGANIZER;CN="The Table at Madeley":MAILTO:events@conroetable.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230623T193000
DTEND;TZID=UTC:20230623T210000
DTSTAMP:20260501T125526
CREATED:20230406T230438Z
LAST-MODIFIED:20230406T230438Z
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SUMMARY:Jason James  Live at The Table at Madeley! [ GET TICKETS ]
DESCRIPTION:7:30pm – 9:00pm = Jason James \nWhen Jason James walks onstage\, he declares his love of classic country before he even sings a note. His choice of attire — embroidered suits or pearl-snap shirts and sharply creased slacks — offers a visual tribute to his musical heroes and the traditions they established. But it’s not his looks or style that provide the most convincing evidence of his kinship with other giants of the genre. It’s his sound: the pure\, honest voice of a singer who rediscovered his soul when he reawakened his early love of well-crooned waltzes and hook-filled honky-tonkers. \nOn Seems Like Tears Ago\, released worldwide Oct. 4\, 2019 via his own Melodyville Records (Smith Music)\, James follows his self-titled 2015 debut with ten original odes that recall the work of his influences without resorting to mimicry. “Jason James may have a long way to go to forge a similar legacy to the greats of the Golden Era of country music\,” noted Trigger in SavingCountryMusic.com\, “but he doesn’t have to travel far at all to illustrate the same talent those legends did in putting sound behind the emotions of heartache and joy that the best of country music captures.” But even though AllMusic.com compared him to Sturgill Simpson and praised his first album’s “classy\, decidedly retro feel\,” James is hardly trying to live in the past. He’s building on the legacy left by those who helped create the genre\, while perhaps reconnecting listeners with the vibe country had before it went pop (and beyond). And boy\, does he nail it\, with a well-modulated baritone that occasionally dips toward bass territory or glides into tenor range — it’s a voice born to be accompanied by a crying pedal steel or wailing fiddle. “I’m evolving into a true-blue country singer\, in tune with the spirit of my idols but forging my own personal path\,” James explains. He calls it an evolution because he didn’t always sing this way. When he started to record his previous album\, for New West Records\, he had more of a high-lonesome sound. By the time it was released\, two producers and three years later\, his voice had become a deeper croon. But it was also finally released when the label had re-staffed and re-located and in many ways orphaned the release. When asked to sound less traditional on his next effort\, the writing was on the wall that he and the label would part ways. His last recording for them was a cover of Ernest Tubb’s “Let’s Say Goodbye Like We Said Hello”\, which aired in a Shiner Beer Super Bowl commercial. For that\, they let him be him. He wasn’t going to lose the pedal steel and add more electric guitar for his follow-up. He’d already been there\, done that with a rock band. In fact\, it was rock that got him to Austin — and to country. \nJames and a childhood friend had formed a band that played frequently in Houston. When they moved to Austin to start seeking gigs there\, they made what James calls “the fatal decision” to room together. Meanwhile\, he’d begun rebuilding his relationship with his father\, who’d split from his mother years before. That rekindled his childhood obsession with Hank Williams. James wanted the band to do some Hank covers; it did not go over well. After a fight one night\, James headed to an open mic try some Williams songs. “Here I am in long hair\, probably resembling Gram Parsons more than anything\, just playing Hank Williams stuff\,” he recalls. “And they were leaving money in the tip jar\, and I thought\, ‘That’s more money than I make with the whole band.’ So I became really obsessed\, possessed with writing [country songs]. It was an easy outlet for me — something fresh\, and something I’d been searching for my whole life. “Country is just so sincere\,” James continues. “You can’t lie to yourself and expect people to believe it. You’ve got to be honest. That’s what I always loved about country music. It wasn’t this facade of ‘We’re too cool for school.’” \nThe Seems Like Tears Ago sessions were the exact opposite experience of those for his previous album. Reconvening with his first producer\, John Evans (Hayes Carll\, Corb Lund)\, James tracked it in just three days at Signal Hill Recordings in Dripping Springs\, outside of Austin\, with Patrick Herzfeld engineering. Evans rounded up top talents for the sessions: Geoff Queen on electric and steel guitars; Reckless Kelly’s Cody Braun on fiddle; Rick Richards on drums; T Jarrod Bonta on piano; and Chris C Cook on rubboard (and no\, neither uses a period). “It was fun to make this record\,” James says. “It’s crazy seeing these guys come in and completely get it. I mean some of these songs were two takes. It was like\, ‘Oh my god\, that’s how you make a record.’” In fact\, he says\, “I went through a little bit of a postpartum because I was like\, ‘That’s it?’ It was such an easy birth.” The writing came easily\, too\, particularly after James moved “back to the vortex” — of Texas City\, on the Gulf Coast near Houston. Turns out there are fewer distractions in a town with a less active music scene. “They roll the carpets up here pretty early\,” James says. \nAny country songwriter worth his salt had better be able to navigate through heartbreak\, and James spills enough lyrical tears in his songs. In addition to the title tune\, he pours lovelorn pain into “I Miss You After All\,” “Achin’ Takin’ Place\,” “Cry on the Bayou\,” “Foolish Heart” and “Ole Used To Be\,” most of which are ballads. But “Cry on the Bayou” is a ZydeCajun waltz\, and the happier “We’re Gonna Honky Tonk Tonight” is made for two-stepping. “I like to dance in between the light and the dark\,” James notes. “I’d be a fool to just be dark and depressing all the time\, pretending I’m some tortured artist. I’m just interested in life right now.” Oh\, he battles his boogeymen\, but tries to do it with humor. “I shine a light under the bed\,” he says. “It’s there. It exists. But the survivor in me has to make a joke out of it.” \nAnother ballad\, “Simply Divine\,” is an actual love song (yes\, happy songs are harder to write\, but he’s got ’em). Then there’s “Move a Little Closer\,” an ultimatum song (and the album’s first single) he describes as edgier than the others. A chicken-pickin’ honky-tonker\, it traces a straight line from Texas City\, TX.\, to Bakersfield\, CA just like Buck Owens did. “I wasn’t reinventing the wheel on that song by any means\, but I love that style with the train beat\,” James says. \nUnlike his last album\, which included some reconfigured earlier work (along with a song he and Jim Lauderdale co-wrote)\, the Seems Like Tears Ago tracks were all country from the get-go. He’d accumulated so many\, he just had to decide which to use. But he didn’t sweat that part much. “It’s kind of about the songs helping one another\,” he says; he just chooses whatever fits together\, as long as it feels organic. “I felt like these would be cool and I wanted to hear ‘em with a band\,” he says\, adding with a laugh\, “I guess it was for my own amusement.” Not hardly. Ever since he was a kid peddling his comic strips door-to-door\, he’s been driven to tell stories. Back then\, writing was an escape. Now\, it’s his lifeblood. He’s even glad he went through the label mill. When he contemplated giving up\, his family helped him realize the goal was worth the pain. “It makes me want what I love more\, and it makes me work harder to obtain it\,” he observes. For a guy who’s posting album updates using the hashtag #makecountrysadagain\, James says\, “I’m just happy\, and I’m happy with the album. It’s the record I wanted to make all along.”
URL:https://conroetable.com/event/jason-james-live-at-the-table-at-madeley-get-tickets/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:country
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ORGANIZER;CN="The Table at Madeley":MAILTO:events@conroetable.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20230624T150000
DTEND;TZID=UTC:20230624T200000
DTSTAMP:20260501T125526
CREATED:20230428T043021Z
LAST-MODIFIED:20230531T202220Z
UID:1845-1687618800-1687636800@conroetable.com
SUMMARY:Catfish Got Talent -  Live at The Table at Madeley!
DESCRIPTION:Hello Bands of Conroe & Moco….Here’s your chance for your band to perform on the main stage at the Conroe Cajun Catfish Festival! That’s right the big stage. \nGet ready\, rehearse and show us why your band should be on the big stage come this October! \nCatfish got talent at The Table!!! \nSaturday June 24TH 3-8pm \nInvite your friends\, family & fans. \nIma & Willie B Appearances \nFood trucks / pet & Family Friendly \nEligibility: Open to any full band located in Montgomery county. \nPerformance guidelines: Two song performance covers and/or originals 10 minutes set maximum. American roots music\, bluegrass\, country\, blues\, gospel or traditional country. \nThe prize: Opportunity to perform as a paid artist on the main stage at the 2023 conroe Kajun Catfish festival in Downtown Conroe\, (available time slot Friday\, Saturday or Sunday) \nFor more information and to sign up\, please visit us online a https://www.friendsofconroe.com/p/getconnected/catfish-got-talent  or @conroecajuncatfishfestival \n#thefriendsofconroe\n#conroecajuncatfishfestival
URL:https://conroetable.com/event/catfish-got-talent-live-at-the-table-at-madeley/
LOCATION:The Table at Madeley\, 316 Madeley Street\, Conroe\, TX\, 77301\, United States
CATEGORIES:country,Songwriter Showcase
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